Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.

A nude figure stands before an open window in this painting by Gustave de Smet. The simplified forms and muted colours are characteristic of the artist's Flemish Expressionist style.
Gustave de Smet (1877-1943) was a Belgian painter associated with Flemish Expressionism. He developed a style characterised by simplified forms, flattened space, and a muted palette. His work often explored themes of domestic life, the human figure, and the urban environment. De Smet's artistic journey involved periods of experimentation with various styles, including luminism and cubism, before he arrived at his mature expressionist approach. He is considered one of the leading figures in Belgian art of the early 20th century. 'Nude by a Window' presents a female nude standing in front of an open window. The figure is rendered with simplified forms and a limited range of colours, primarily earth tones. The window frames a view of a stylised village scene, complete with buildings and a church spire. The composition is carefully balanced, with the figure's verticality contrasting with the horizontal lines of the window and the background. The painting's subdued palette and simplified forms contribute to its introspective mood.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
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When war broke out in 1914, De Smet and his friend Frits Van den Berghe fled Belgium together for the Netherlands. The flight transformed both painters. In the Netherlands, exposure to the Bergen School and to Leo Gestel's work converted De Smet from an Impressionist into an Expressionist. He returned to Belgium in 1922 a different artist. He was born in Ghent in 1877. His father Jules was a decorative painter and photographer. He attended the Royal Academy of Fine Arts in Ghent from 1889 to 1896, then joined the artistic community at Sint-Martens-Latem, where he, Constant Permeke and Van den Berghe became the three founders of Flemish Expressionism, the second Latem School. After the war, he settled in Deurle in 1927. His mature paintings depict farmers, fishermen, popular entertainments and working-class women, composed as geometric, puzzle-like arrangements of coloured shapes that fuse Expressionism with Cubism. Village fairs and circus scenes recur frequently, treated with a formal rigour that lifts them out of genre painting into something more structural. His palette, brighter than Permeke's and more structured than Van den Berghe's, gives his Expressionism a decorative quality that softens without weakening the formal discipline underneath. He died in 1943, at sixty-six.
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