A portrait of the French actress Arletty by Moïse Kisling, featuring a reclining figure rendered with the artist's characteristic smooth skin tones and stylised features.

Moïse Kisling, a central figure of the School of Paris, produced this portrait of the French actress Arletty during the interwar period. The composition features the subject in a reclining pose, a traditional motif in Western art that Kisling adapts through his specific stylistic lens. The figure is rendered with smooth, porcelain-like skin tones, contrasting with the dark, atmospheric background.

Kisling employs a distinct approach to anatomy and facial features. The subject possesses large, almond-shaped eyes and a stylised expression, which are hallmarks of the artist's portraiture. The figure rests upon a floral-patterned textile, while the backdrop consists of a heavy, dark fabric with subtle decorative elements. This juxtaposition between the illuminated, pale form of the model and the shadowed, textured surroundings creates a clear visual separation.

The painting reflects the aesthetic sensibilities of 1930s Paris, where the influence of both classical tradition and modern stylisation converged. Kisling avoids excessive detail in the background, allowing the focus to remain on the figure. His application of paint is controlled, resulting in a polished surface that emphasises the sculptural quality of the subject. The work captures the persona of Arletty, who was a prominent figure in French cinema and theatre at the time, through a lens that prioritises formal composition over psychological narrative. The use of light is deliberate, modelling the form of the body while leaving the extremities of the composition in relative obscurity. This piece remains a representative example of Kisling's contribution to the portrait genre within the Parisian art scene of the early twentieth century.