Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.





Jackson Pollock's "Number 1 (Lavender Mist)", created in 1950, exemplifies Abstract Expressionism through its dynamic composition of layered lines and splatters, capturing the artist's physical engagement with the canvas.
Jackson Pollock's "Number 1 (Lavender Mist)" is a quintessential example of Abstract Expressionism, created in 1950. Pollock, an American artist (1912-1956), developed his signature 'drip' technique, which involved pouring and flinging paint onto a canvas laid on the floor. This method allowed him to engage with the artwork from all sides, creating a sense of all-over composition without a single point of focus. The painting features a complex network of layered lines and splatters in various colours, including black, white, lavender, and hints of green and blue. The interwoven lines create a sense of depth and movement, while the colours blend to form a hazy, atmospheric effect. The scale of the work, typical of Pollock's mature paintings, envelops the viewer, inviting them to explore the dynamic surface. "Number 1 (Lavender Mist)" is not merely a painting; it is a record of the artist's physical and emotional engagement with the canvas, capturing a moment of pure creative energy. The work is held in the collection of the National Gallery of Art, Washington, D.C.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
Followed his brothers to art school, studied under a regionalist he rejected, poured paint on the floor of a barn, and died in a car crash at forty-four.
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