A 1911 lithographic cover design by Richard Nicolaüs Roland Holst for the Dutch journal De Architect, featuring classical motifs and Art Nouveau styling.

This lithographic cover design by Richard Nicolaüs Roland Holst, created in 1911 for the Dutch publication De Architect, demonstrates the artist's engagement with the Symbolist and Art Nouveau movements. Roland Holst was a significant figure in the Dutch decorative arts, known for his work in book design, murals, and stained glass. His style often incorporated classical motifs with a linear, rhythmic quality that defined the aesthetic of the period.

The composition is structured within a rigid, architectural frame, reflecting the subject matter of the journal. At the centre, a classical urn sits atop a pedestal, flanked by stylised, flame-like foliage. A serpent coils at the base, while a female figure stands to the right, her posture and drapery echoing the fluid lines common in turn-of-the-century graphic arts. The inclusion of a small mouse in the lower-left corner adds a curious, narrative detail to the otherwise formal arrangement. The typography is integrated into the design, with the title and editorial information occupying the upper and lower registers of the frame.

Roland Holst utilised a monochromatic palette, printed here on a warm, fibrous paper stock that provides a tactile quality to the print. The work is characteristic of the Dutch graphic tradition of the early twentieth century, which sought to unify text and image into a cohesive visual statement. The balance between the heavy, geometric borders and the organic, flowing forms of the central illustration creates a sense of order and mystery. This print offers a glimpse into the editorial design standards of the era, where the cover was treated as a space for artistic expression rather than mere information. It remains a clear example of the graphic output of the Architectura et Amicitia society, for whom Roland Holst frequently produced design work.