Orange Lilies, Broadway, Worcestershire - Alfred Parsons
Archival giclée
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Description
A detailed oil painting by Alfred Parsons capturing a summer garden in Broadway, Worcestershire, featuring orange lilies and a quiet rural atmosphere.
Alfred Parsons was a British painter known for his precise observation of gardens and rural subjects. This work depicts a summer scene in Broadway, a village in Worcestershire that became a popular retreat for artists and writers during the late nineteenth century. The composition focuses on a dense border of orange lilies and white flowers, rendered with attention to botanical accuracy and the play of light across the petals.
The background features the mature trees and manicured greenery typical of the English country garden aesthetic. Parsons balances the foreground flora with a clear view of the lawn, where small white birds are scattered across the grass. The sky is filled with heavy, rolling clouds, suggesting the changeable nature of the British climate. His technique involves a controlled application of paint, allowing for the definition of individual leaves and blossoms while maintaining a sense of atmospheric depth.
Parsons often collaborated with garden designers and authors, contributing illustrations to various botanical publications. His interest in horticulture informs the structure of this painting, as the garden is presented as a curated space. The inclusion of the small wooden structure and the birds adds a sense of domesticity to the scene. By capturing the specific light of a Worcestershire afternoon, Parsons documents the character of the region during a period when the Arts and Crafts movement influenced the design of such outdoor spaces. The work remains a record of the aesthetic values held by the artistic community in Broadway at the time.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Orange Lilies, Broadway, Worcestershire - Alfred Parsons
Artist Biography
Alfred Parsons
It was his eye for gardens that set him apart. Parsons had a genuine feeling for the way English cottage and manor gardens worked: their colour sequences, their relationship to the surrounding landscape, the social world they implied. His collaboration with the gardening writer E.T. Cook on articles for various publications developed into a consistent visual language for the late Victorian garden, and his paintings were sought after by the country-house owners whose properties he depicted.
In 1891 he contributed illustrations to Henry James's collection of essays A Little Tour in France, though gardens rather than buildings remained his primary subject. He was elected to the Royal Academy in 1911. Parsons also designed gardens professionally, most notably The Courts in Wiltshire, which he began laying out around 1900 and which passed eventually to the National Trust.
His watercolours have a directness that reads as almost modern: flat washes, clear light, plants described with botanical accuracy but without preciousness. He died in Broadway, Worcestershire in 1920, having spent many years in that colony of Anglo-American artists centred on John Singer Sargent and Francis Millet.
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