Fine Art Poster
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
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A precise 1889 architectural study of the Venetian Gothic facade of the Palazzo Bernardo, rendered in watercolour and graphite by Joseph Lindon Smith.
This architectural study by Joseph Lindon Smith captures the Venetian Gothic facade of the Palazzo Bernardo. Executed in 1889, the work demonstrates the artist's early focus on historical structures, a practice that would later define his career as a painter of archaeological sites and Egyptian antiquities. Smith employs a precise, observational approach to document the specific rhythm of the building's fenestration, including the characteristic pointed arches and the circular patera motifs that punctuate the masonry.
The composition is organised into two distinct horizontal registers, mirroring the physical layout of the palace. Smith uses a delicate application of watercolour to suggest the weathered texture of the stone and the subtle variations in colour caused by exposure to the Venetian climate. The palette remains restrained, relying on soft ochres, muted blues, and pale terracotta tones to convey the aged quality of the building materials. By focusing on the structural geometry rather than atmospheric effects, the artist provides a clear, analytical record of the architectural elements.
Joseph Lindon Smith studied at the Museum of Fine Arts in Boston and later at the Académie Julian in Paris. His training is evident in the disciplined handling of the graphite underdrawing, which remains visible beneath the washes. This work reflects the late nineteenth-century interest in documenting European historical sites before the onset of modern urban development. The attention to detail in the capitals and the tracery of the windows suggests a deep appreciation for the craftsmanship of the Venetian builders. As a study, it offers a window into the artist's methodology, showing how he balanced technical accuracy with a sensitive interpretation of light and shadow on stone surfaces. The work remains a precise record of the Palazzo Bernardo as it appeared at the end of the nineteenth century.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From $89
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Damage-free delivery guarantee
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Artist Biography
Joseph Lindon Smith
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