A powerful lithograph by German Expressionist Ernst Barlach, depicting a solitary, expressive figure in a gesture of supplication.

This lithograph is part of a series created by Ernst Barlach in 1928, illustrating the narrative of the Pariah. Barlach, a sculptor and graphic artist, often explored themes of human suffering, isolation, and spiritual endurance. His work is characterised by a reduction of form, where the physical body becomes a vessel for raw emotion rather than a realistic anatomical study.

The figure in this print stands with arms raised, palms open in a gesture that suggests both supplication and resignation. The starkness of the composition is typical of Barlach's graphic output, which relies on heavy, expressive lines and deep shadows to define the subject against a neutral background. The elongated limbs and the hollowed, gaunt torso convey a sense of fragility and vulnerability, aligning with the artist's interest in the marginalised figures of society.

Barlach's approach to the human form often draws upon medieval woodcarving traditions, which he encountered during his travels in Russia. This influence is visible in the simplified, blocky volumes and the gravity of the figure's posture. The lithographic medium allows for a soft, charcoal-like texture, which adds a sense of immediacy to the work. By focusing on the singular figure, Barlach removes the context of a specific setting, forcing the viewer to engage directly with the emotional state of the subject. This print provides a clear example of the artist's ability to communicate complex psychological states through minimal visual information, maintaining a focus on the essential qualities of the human condition.