A detailed sixteenth-century engraving by Adriaen Collaert depicting the biblical separation of Abraham and Lot, based on a design by Maerten de Vos.

This engraving by Adriaen Collaert depicts the biblical narrative of the separation between Abraham and his nephew, Lot. The composition is structured within a series of arched frames, a common device in late sixteenth-century Flemish printmaking. The central scene shows the two figures gesturing towards the horizon, indicating the division of their respective herds and lands. The background is filled with livestock and attendants, providing a sense of the scale of their migration.

Above the main scene, two smaller circular vignettes illustrate other episodes from the life of Abraham. The left circle shows a military encounter, while the right circle depicts a scene of sacrifice. The inclusion of these secondary narratives allows the print to function as a visual summary of the patriarch's life. The work is based on a design by Maerten de Vos, whose influence is evident in the expressive gestures and the treatment of the figures.

Collaert employs a precise engraving technique, using varied line weights to define the textures of the clothing, the foliage of the tree, and the distant rolling hills. The architectural elements at the base, which contain a Latin inscription, provide a formal anchor for the composition. This print reflects the technical proficiency of the Antwerp school during this period, where the collaboration between designers and engravers was standard practice. The work demonstrates a clear interest in spatial depth and narrative clarity, typical of the period's approach to biblical illustration. The print is a fine example of the graphic arts produced in the Netherlands at the turn of the seventeenth century, intended for both devotional and educational use.