Fine Art Poster
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Picture Book of Modern Figures of Fashion - Utagawa Toyokuni I
Regular price
$29.00 USD
Sale price
$29.00 USD
Regular price
Archival giclée
Frames arrive ready to hang
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Made to order
Description
A woodblock print from the 1802 series 'Ehon imayō sugata' by Utagawa Toyokuni I, depicting a woman by a boat under a crescent moon.
This woodblock print originates from the 'Ehon imayō sugata' (Picture Book of Modern Figures of Fashion), a publication produced by Utagawa Toyokuni I in 1802. Toyokuni I was a central figure in the Utagawa school, known for his contributions to the development of the bijin-ga (pictures of beautiful women) genre during the Edo period.
The composition depicts a solitary female figure standing near a boat at the water's edge. The scene is set at night, indicated by the crescent moon suspended in a dark, layered sky. The artist employs a restrained colour palette, relying on the precision of the woodblock lines to define the textures of the water, the wooden structure of the boat, and the folds of the woman's kimono. The background features a bridge and distant shoreline, providing a sense of spatial depth that is characteristic of the period's interest in atmospheric perspective.
Toyokuni I focused on the aesthetic of the contemporary urbanite, capturing the fashion and mannerisms of the time. The figure is rendered with the elongated proportions and graceful posture typical of his work. The print demonstrates the technical skill required for multi-block printing, where each colour is applied via a separate carved block. The balance between the dark, moody sky and the lighter, detailed foreground creates a quiet, contemplative atmosphere. This work provides a window into the visual culture of early nineteenth-century Japan, documenting both the stylistic preferences of the era and the technical mastery of the Utagawa school printmakers.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
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To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
Picture Book of Modern Figures of Fashion - Utagawa Toyokuni I
Regular price
From $29.00 USD
Sale price
From $29.00 USD
Regular price
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Utagawa Toyokuni I
"My pictures are merely something that I draw, and nothing more than that." Toyokuni's self-assessment was modest to the point of dishonesty. He transformed kabuki actor portraiture from stiff formal likenesses into dynamic images of performers in character on stage, and in doing so built the most commercially powerful woodblock print studio in Edo.
He was born in 1769, the son of a puppet maker. He studied under Utagawa Toyoharu, founder of the Utagawa school, and followed convention by taking one syllable of his master's name. His early work synthesised the styles of Utamaro, Eishi and Choki through close study and relentless practice. By the mid-1790s he had found his own voice. Yakusha Butai no Sugatae (Portraits of Actors in Their Various Roles), a series of large polychrome prints produced between 1794 and 1796, showed kabuki actors costumed and posed on stage rather than seated in formal dress. The series was a commercial triumph and set the standard for actor portraiture for the next generation.
He also excelled at bijin-ga, pictures of beautiful women, establishing compositions that ukiyo-e artists followed for decades. His innovations extended to format: he pioneered the use of diptych, triptych and polyptych arrangements that allowed more complex narrative compositions than the single sheet could hold.
As demand surged, Toyokuni's studio expanded until his personal involvement in each print became nominal. The quality of his later work declined, but the school he built survived him. His two most gifted pupils, Kunisada and Kuniyoshi, became major figures in their own right, and the Utagawa school dominated ukiyo-e production through the final decades of the Edo period. He died in 1825.
He was born in 1769, the son of a puppet maker. He studied under Utagawa Toyoharu, founder of the Utagawa school, and followed convention by taking one syllable of his master's name. His early work synthesised the styles of Utamaro, Eishi and Choki through close study and relentless practice. By the mid-1790s he had found his own voice. Yakusha Butai no Sugatae (Portraits of Actors in Their Various Roles), a series of large polychrome prints produced between 1794 and 1796, showed kabuki actors costumed and posed on stage rather than seated in formal dress. The series was a commercial triumph and set the standard for actor portraiture for the next generation.
He also excelled at bijin-ga, pictures of beautiful women, establishing compositions that ukiyo-e artists followed for decades. His innovations extended to format: he pioneered the use of diptych, triptych and polyptych arrangements that allowed more complex narrative compositions than the single sheet could hold.
As demand surged, Toyokuni's studio expanded until his personal involvement in each print became nominal. The quality of his later work declined, but the school he built survived him. His two most gifted pupils, Kunisada and Kuniyoshi, became major figures in their own right, and the Utagawa school dominated ukiyo-e production through the final decades of the Edo period. He died in 1825.
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Fine Art Framed
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The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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