A refined 1678 portrait engraving of Pierre Lallemant, Chancellor of the University of Paris, by the master printmaker Robert Nanteuil.

This engraving by Robert Nanteuil depicts Pierre Lallemant, the Chancellor of the University of Paris. Executed in 1678, the work demonstrates the technical precision that defined Nanteuil's career as the premier portrait engraver to the court of Louis XIV. The subject is presented within a classic oval frame, a common convention in seventeenth-century portraiture that directs the viewer's focus to the sitter's features.

Nanteuil employs a sophisticated system of cross-hatching and varied line weights to model the form of Lallemant's face and the texture of his clerical vestments. The subtle gradation of tone within the oval creates a sense of volume, while the background remains neutral to maintain the clarity of the portrait. Below the oval, a cartouche features the coat of arms of the University of Paris, flanked by inscriptions identifying the sitter and his office. The precision of the burin work, particularly in the rendering of the fabric folds and the facial contours, reflects the high standards of the French school of engraving during the late Baroque period. This print provides a clear example of the formal portraiture used to document the intellectual and ecclesiastical elite of seventeenth-century France. The composition is balanced and restrained, prioritising the psychological presence of the sitter over decorative excess.