Piglet Goes Shopping - Keith Haring
Archival giclée
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Description
A dynamic composition by Keith Haring featuring his signature bold lines and repetitive patterns, exploring themes of consumerism through a graphic, high-contrast lens.
Keith Haring remains a central figure of the 1980s New York art scene. His work often bridges the gap between street art and fine art, utilising a distinct visual vocabulary of bold lines and repetitive motifs. This piece, Piglet Goes Shopping, demonstrates his signature approach to composition, where the subject is integrated into a dense, maze-like background of patterns and symbols.
The image features a central figure rendered in strong, continuous lines. Haring employs a high-contrast palette, using primary colours to separate the subject from the surrounding environment. The background is filled with a complex web of squiggles, geometric shapes, and currency-like forms, suggesting a commentary on consumerism and the frenetic pace of urban life. The lines are uniform in weight, creating a sense of kinetic energy that is characteristic of his output during this period.
Haring often drew inspiration from graffiti, cartoons, and ancient iconography. By flattening the perspective, he forces the viewer to engage with the surface of the work as a whole rather than focusing on a single point of interest. The repetition of forms across the entire frame creates a rhythmic quality, turning the canvas into a decorative yet socially conscious field. This print captures the immediacy of his process, reflecting his belief that art should be accessible and integrated into daily life. The work avoids traditional shading or modelling, relying instead on the clarity of the outline to define form and space. It is a clear example of his ability to communicate complex ideas through a simplified, graphic language that remains recognisable decades after his passing.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Piglet Goes Shopping - Keith Haring
Artist Biography
Keith Haring
He moved to New York in 1978 to attend the School of Visual Arts and within two years had found his medium: white chalk on the matte black paper that covered unused advertising panels in subway stations. He drew in the stations almost every day between 1980 and 1985, sometimes producing forty drawings in a single session. Commuters watched. The police arrested him repeatedly for vandalism. The drawings kept appearing.
The subway work made him famous before galleries did. Radiant babies, barking dogs, crawling figures, flying saucers: a vocabulary of shapes repeated and recombined like a visual language. The line work was fast and confident and looked easy, which was part of the point. He wanted art that anyone could read immediately. In 1986 he opened the Pop Shop in SoHo, selling t-shirts, posters, and badges with his designs at prices people could actually pay. The art world called it selling out. Andy Warhol, who had been doing exactly the same thing for twenty years, supported him.
He was diagnosed with HIV in 1987 and with AIDS the following year. The last works are direct: the 'Ignorance = Fear' poster for ACT UP, the Barcelona mural 'Todos Juntos Podemos Parar el SIDA', the horned sperm figure that became his symbol for the virus. He set up the Keith Haring Foundation in 1989 to fund AIDS organisations and children's programmes. He died in February 1990, at thirty-one. He was cremated and his ashes were scattered in a field near Kutztown, close to where he first sat drawing with his father.
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