Fine Art Poster
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Plate Three: Betrothal of a Baby Satyr and Baby Nymph Held by a Nymph and a Satyr - Jean-Honoré Fragonard
Regular price
$29.00 USD
Sale price
$29.00 USD
Regular price
Archival giclée
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Description
A delicate etching by Jean-Honoré Fragonard depicting a mythological betrothal scene, rendered with spontaneous, fluid lines and Rococo charm.
This etching by Jean-Honoré Fragonard captures a whimsical scene from classical mythology, rendered with the fluid, spontaneous line work characteristic of his graphic output. The composition depicts a central stone relief or altar, upon which a baby satyr and a baby nymph are joined in a betrothal ceremony. They are supported by their respective parents, a satyr and a nymph, who kneel on either side of the central figures. The surrounding environment is suggested through loose, energetic hatching that evokes dense foliage and natural textures, contrasting with the more defined, sculptural quality of the central figures.
Fragonard, a master of the French Rococo, often turned to mythological subjects to explore themes of playfulness and pastoral life. Unlike his large-scale oil paintings, his etchings reveal a more experimental approach to mark-making. The artist uses varying densities of line to create a sense of atmosphere, allowing the white of the paper to function as light. The figures possess a soft, rounded quality, typical of his depictions of children and mythological beings. This work belongs to a series of etchings that demonstrate his interest in the decorative potential of classical motifs. The scene is devoid of heavy moralising, focusing instead on the charm of the narrative and the technical dexterity of the printmaking process. The interplay between the structured central group and the wild, sketchy background provides a dynamic visual balance, inviting the viewer to examine the fine details of the figures' expressions and the surrounding vegetation.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
Plate Three: Betrothal of a Baby Satyr and Baby Nymph Held by a Nymph and a Satyr - Jean-Honoré Fragonard
Regular price
From $29.00 USD
Sale price
From $29.00 USD
Regular price
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Jean Honore Fragonard
The Swing was commissioned by a courtier who wanted himself depicted looking up his mistress's skirt as she swung above. A bishop pushes the swing in the background. The original commissioner first approached another painter, who refused the subject as undignified. Fragonard accepted.
He was born in Grasse, in Provence, in 1732. He trained under Boucher, the leading Rococo painter, won the Prix de Rome, and spent five years in Italy studying Tiepolo and the Baroque illusionists. He painted so-called figures de fantaisie, full portraits, in about an hour each. He was enormously prolific: over 550 paintings are attributed to him.
The Revolution destroyed his client base. The aristocracy who bought his paintings were dead, exiled, or ruined. Jacques-Louis David, the leading Revolutionary painter and stylistically his opposite, intervened on his behalf. David got Fragonard appointed to an administrative arts committee, which likely saved his life. This is remarkable: David was sending former aristocrats to the guillotine while protecting their favourite painter. Fragonard also helped organise what would become the Louvre's collection.
He lost his position under Napoleon and died in 1806. The story that he died eating an ice on a hot day is probably anecdotal but frequently repeated. His reputation collapsed after death and was not revived for fifty years.
He was born in Grasse, in Provence, in 1732. He trained under Boucher, the leading Rococo painter, won the Prix de Rome, and spent five years in Italy studying Tiepolo and the Baroque illusionists. He painted so-called figures de fantaisie, full portraits, in about an hour each. He was enormously prolific: over 550 paintings are attributed to him.
The Revolution destroyed his client base. The aristocracy who bought his paintings were dead, exiled, or ruined. Jacques-Louis David, the leading Revolutionary painter and stylistically his opposite, intervened on his behalf. David got Fragonard appointed to an administrative arts committee, which likely saved his life. This is remarkable: David was sending former aristocrats to the guillotine while protecting their favourite painter. Fragonard also helped organise what would become the Louvre's collection.
He lost his position under Napoleon and died in 1806. The story that he died eating an ice on a hot day is probably anecdotal but frequently repeated. His reputation collapsed after death and was not revived for fifty years.
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Fine Art Framed
From $89
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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