Fine Art Poster
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Plate Three: Young Girl Astride a Satyr - Jean-Honoré Fragonard
Regular price
$29.00 USD
Sale price
$29.00 USD
Regular price
Archival giclée
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Description
A delicate etching by Jean-Honoré Fragonard depicting a mythological scene of a young woman and a satyr within a circular frame.
This etching by Jean-Honoré Fragonard depicts a mythological scene set within a circular frame. The composition features a young woman mounted upon the back of a satyr, a creature from classical antiquity known for its association with Dionysian revelry. The figures are rendered with the fluid, light-handed touch characteristic of Fragonard, who was as adept with the etching needle as he was with the brush. The surrounding foliage is executed with quick, energetic strokes that suggest a wild, untamed woodland environment, contrasting with the refined, medallion-like presentation of the central figures.
Fragonard produced a series of etchings during his time in Italy, often drawing inspiration from the classical motifs he encountered. This work reflects the playful, eroticised nature of the Rococo period, where mythological subjects were frequently used to explore themes of desire and pastoral freedom. The satyr, with his goat-like legs and human torso, provides a stark contrast to the delicate form of the woman. Their interaction is captured in a moment of movement, with the satyr seemingly in stride while the woman leans forward, creating a dynamic diagonal line that draws the eye across the circular space.
Technically, the print demonstrates Fragonard's ability to create texture and depth through varied line weight. The dense hatching in the background foliage provides a dark, atmospheric contrast to the lighter, more open treatment of the figures. This print is a fine example of the artist's graphic output, showing his preference for spontaneity and expressive line work over the rigid academic standards of his contemporaries. The inclusion of the small vessel at the base of the circle adds a subtle detail, grounding the mythological figures in a tangible, albeit fantastical, setting.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
Plate Three: Young Girl Astride a Satyr - Jean-Honoré Fragonard
Regular price
From $29.00 USD
Sale price
From $29.00 USD
Regular price
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Jean Honore Fragonard
The Swing was commissioned by a courtier who wanted himself depicted looking up his mistress's skirt as she swung above. A bishop pushes the swing in the background. The original commissioner first approached another painter, who refused the subject as undignified. Fragonard accepted.
He was born in Grasse, in Provence, in 1732. He trained under Boucher, the leading Rococo painter, won the Prix de Rome, and spent five years in Italy studying Tiepolo and the Baroque illusionists. He painted so-called figures de fantaisie, full portraits, in about an hour each. He was enormously prolific: over 550 paintings are attributed to him.
The Revolution destroyed his client base. The aristocracy who bought his paintings were dead, exiled, or ruined. Jacques-Louis David, the leading Revolutionary painter and stylistically his opposite, intervened on his behalf. David got Fragonard appointed to an administrative arts committee, which likely saved his life. This is remarkable: David was sending former aristocrats to the guillotine while protecting their favourite painter. Fragonard also helped organise what would become the Louvre's collection.
He lost his position under Napoleon and died in 1806. The story that he died eating an ice on a hot day is probably anecdotal but frequently repeated. His reputation collapsed after death and was not revived for fifty years.
He was born in Grasse, in Provence, in 1732. He trained under Boucher, the leading Rococo painter, won the Prix de Rome, and spent five years in Italy studying Tiepolo and the Baroque illusionists. He painted so-called figures de fantaisie, full portraits, in about an hour each. He was enormously prolific: over 550 paintings are attributed to him.
The Revolution destroyed his client base. The aristocracy who bought his paintings were dead, exiled, or ruined. Jacques-Louis David, the leading Revolutionary painter and stylistically his opposite, intervened on his behalf. David got Fragonard appointed to an administrative arts committee, which likely saved his life. This is remarkable: David was sending former aristocrats to the guillotine while protecting their favourite painter. Fragonard also helped organise what would become the Louvre's collection.
He lost his position under Napoleon and died in 1806. The story that he died eating an ice on a hot day is probably anecdotal but frequently repeated. His reputation collapsed after death and was not revived for fifty years.
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Fine Art Framed
From $89
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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