Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.










Edward Burne-Jones's 'Pomona' tapestry, created with John Henry Dearle, embodies the Arts and Crafts movement with its intricate floral details and depiction of the Roman goddess of fruit trees. A timeless design that brings historical elegance to any room.
This tapestry, titled 'Pomona', was designed in 1882 by the pre-Raphaelite artist Edward Burne-Jones, with the assistance of John Henry Dearle, who translated the design into tapestry form. Pomona, the Roman goddess of fruit trees, gardens, and orchards, is depicted here as a serene and graceful figure, draped in classical robes and holding a bowl of fruit. The tapestry is characteristic of the Arts and Crafts movement, with its emphasis on handcrafted design and naturalistic details. The surrounding floral background, densely populated with various plants and flowers, showcases the movement's love for intricate patterns and organic forms. The rich colour palette, dominated by deep blues, greens, and reds, adds to the tapestry's visual appeal. As a fine art print, 'Pomona' brings a touch of historical elegance and artistic sophistication to any interior. Its timeless design and rich symbolism make it a perfect addition to a living room, study, or hallway, adding a sense of refined beauty and cultural depth to your home decor. The intricate details and vibrant colours are sure to captivate and inspire, creating a focal point that enhances the overall aesthetic of your space.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
Edward Burne-Jones, a leading light of the second wave of the Pre-Raphaelite movement, wasn't born into an artistic family. In fact, his early life pointed towards a career in the church. But a meeting with William Morris while studying theology at Exeter College, Oxford, set him on a different path. The pair were captivated by medieval legends and the Romantic poets, and together they abandoned their religious aspirations to pursue art and design. Burne-Jones, under the mentorship of Dante Gabriel Rossetti, quickly developed a distinctive style characterized by ethereal figures, rich colours, and a deep sense of melancholy. Burne-Jones's artistic vision extended beyond painting. He embraced decorative arts, creating stained glass, tapestries, and furniture, often in collaboration with William Morris's firm, Morris & Co. His designs adorned churches, country houses, and public buildings, embodying the Pre-Raphaelite ideal of integrating art into everyday life. Though he never formally joined the Pre-Raphaelite Brotherhood, his aesthetic sensibilities aligned perfectly with their principles, and he became one of the most influential artists of the late 19th century. His notable works, such as 'The Beguiling of Merlin', 'Love Among the Ruins', and the 'Perseus Cycle', showcase his masterful storytelling and symbolic language. Burne-Jones's art offered an escape from the industrialised world, inviting viewers into a realm of beauty, myth, and poignant emotion. His influence rippled through the Symbolist movement, inspiring artists to explore the inner landscapes of the human psyche.
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