A refined portrait of Antoine, bastard of Burgundy, by the Early Netherlandish master Rogier van der Weyden, featuring the subject with the collar of the Order of the Golden Fleece.

This portrait depicts Antoine, the illegitimate son of Philip the Good, Duke of Burgundy. Painted by Rogier van der Weyden around 1460, the work captures the subject in a three-quarter view, a standard convention for aristocratic portraiture of the period. Antoine is dressed in a dark doublet, which provides a stark contrast to his pale complexion and the deep blue background. He wears the collar of the Order of the Golden Fleece, a prestigious chivalric order, which identifies his status and connection to the Burgundian court.

The most distinctive element of the composition is the arrow held in the subject's hand. This attribute relates to the Order of the Golden Fleece, specifically the legend of Jason and the Argonauts, or perhaps a personal emblem of the sitter. Van der Weyden demonstrates his mastery of oil paint through the precise rendering of textures, from the soft fabric of the red hat to the metallic sheen of the gold chain. The lighting is controlled, casting subtle shadows that define the facial structure and give the figure a sense of physical presence.

Van der Weyden was one of the most influential painters in the Low Countries during the fifteenth century. His approach to portraiture often involved a balance between realistic observation and a degree of idealisation. In this panel, the sitter's expression is composed and detached, typical of the courtly style of the era. The painting is currently held in the Royal Museums of Fine Arts of Belgium in Brussels. It remains a clear example of the technical skill and formal rigour associated with the Early Netherlandish school, where artists prioritised clarity of form and the meticulous depiction of material surfaces.