A 1915 portrait by Pavel Filonov depicting his sister, Evdokiya Nikolaevna Glebova, in a quiet, domestic setting.

This portrait of Evdokiya Nikolaevna Glebova, painted by Pavel Filonov in 1915, offers a glimpse into the artist's early period before he fully developed his theory of Analytical Art. While Filonov is often associated with complex, fragmented compositions, this work retains a more traditional representational approach, focusing on the quiet dignity of his subject. The sitter is depicted seated in an armchair, her posture relaxed yet composed. She wears a dark garment with a prominent white ruffled collar, which provides a sharp contrast against the deep, shadowy background. To the left of the figure, a cluster of pale flowers emerges from the darkness, adding a decorative element to the composition. The armchair itself features a subtle floral pattern, echoing the botanical motif and grounding the figure within an interior space. Filonov employs a careful application of paint, with visible brushwork that gives the surface a textured quality. The lighting is focused on the face and hands of the sitter, drawing the viewer's attention to her thoughtful expression and the ring on her finger. This painting demonstrates Filonov's technical skill in capturing human likeness during a period of transition in Russian art. The work avoids the extreme abstraction that would later define his career, opting instead for a balanced arrangement of form and colour. It remains a significant example of his portraiture, reflecting the domestic environment of his family life. The interplay between the dark, atmospheric background and the illuminated subject creates a sense of intimacy, inviting the viewer to observe the sitter in a moment of stillness. The composition is structured with precision, ensuring that every element, from the folds of the fabric to the delicate petals of the flowers, contributes to the overall harmony of the piece.