Fine Art Poster
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
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Moroni's full-length portrait of the Bergamo noblewoman and writer Isotta Brembati, seated in a gown of green and gold brocade.
Giovanni Battista Moroni (about 1520–1579) painted the leading families of Bergamo for most of his career. This full-length portrait shows Isotta Brembati (about 1534–1586), the daughter of a noble Bergamo family. Palazzo Moroni in Bergamo, where the painting hangs, dates it to about 1554–1557 and suggests it was made for her first marriage, to Lelio Secco d'Aragona.
She sits in an X-frame chair with red cushions, between two marble half-columns, and looks straight out at the viewer. Her gown is green brocade worked with gold foliage, and a fur piece with a gold animal head lies across her shoulders. Pearls circle her neck and a cross hangs on her breast. Jewels and a pink bow are set in her hair. In her lap she holds a soft bundle of pink and white feathers.
Full-length portraits of seated women were unusual at the time. Moroni treats the official occasion with his usual attention to fact. The flushed complexion, the pronounced nose, the full lips and the strong chin point to a likeness taken from life rather than an idealised type. The brocade pattern is laid out with care across the whole lower half of the canvas.
Isotta Brembati was a writer as well as a noblewoman. She wrote in Latin, Italian, French and Spanish and led a literary circle. In Milan her Latin orations impressed the Senate. After her first husband died she married her brother-in-law, Gian Gerolamo Grumelli, in 1561. He is the subject of Moroni's Knight in Pink, and in the nineteenth century this canvas was enlarged so that it could hang as a pair with his portrait.
The painting is in oil on canvas and measures 160 × 115 cm. It belongs to a private Moroni family collection entrusted to FAI, and hangs at Palazzo Moroni in Bergamo.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From $89
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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