Portrait of John Hayes St. Leger - Thomas Gainsborough
Archival giclée
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Description
A portrait of Colonel John Hayes St. Leger by Thomas Gainsborough, depicting the officer in his military uniform alongside his horse.
This portrait depicts Colonel John Hayes St. Leger, a notable figure in the social circles of the late eighteenth century and a close associate of the Prince of Wales. Painted by Thomas Gainsborough in 1782, the work captures the subject in his military uniform, leaning against his horse. The composition reflects the artist's characteristic approach to portraiture, where the sitter is integrated into a soft, atmospheric setting rather than a rigid studio environment.
Gainsborough employs a fluid brushwork technique, particularly visible in the treatment of the foliage and the horse's coat. The subject wears the uniform of the 1st Regiment of Foot Guards, rendered in a striking orange-red coat that contrasts with the muted, earthy tones of the surrounding trees and ground. His posture is relaxed, conveying a sense of ease and aristocratic confidence. The horse, positioned to the left, provides a vertical anchor for the composition, balancing the figure of the Colonel.
Unlike many of his contemporaries who favoured precise, linear detail, Gainsborough prioritised the overall mood and the play of light across the canvas. The background, while secondary to the figure, is essential to the work's unity. It suggests a woodland setting, a recurring motif in the artist's output that allowed him to combine his interest in portraiture with his affection for natural scenery. The painting remains a clear example of the British portrait tradition during the Georgian era, demonstrating the artist's ability to balance formal requirements with a more personal, painterly style. The work is currently held in the collection of the Royal Collection Trust.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Portrait of John Hayes St. Leger - Thomas Gainsborough
Artist Biography
Thomas Gainsborough
He was born in Sudbury, Suffolk, in 1727. His father went bankrupt in 1733. He moved to London as a teenager and trained under the French engraver Hubert-Francois Gravelot. By his thirties he was one of the two dominant portrait painters in Georgian England, the other being Joshua Reynolds. The rivalry with Reynolds defined both their careers.
The Blue Boy is probably his most famous painting, though he would have preferred to be remembered for his landscapes. On his deathbed he reconciled with Reynolds. Reynolds later wrote that the Royal Academy had lost one of its greatest ornaments. Gainsborough died in 1788, aged sixty-one.
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