A 1920 portrait by Moïse Kisling, featuring Madame André Salmon in a striking yellow dress against a warm orange oval background.

Moïse Kisling, a central figure of the École de Paris, painted this portrait of Madame André Salmon in 1920. The work captures the subject within an oval frame, a compositional choice that directs the viewer's attention to the sitter's expression and posture. Kisling employs a distinct approach to colour, utilising a warm, saturated orange background that contrasts with the sitter's yellow dress. The figure is rendered with a degree of stylisation typical of the artist's period in Montparnasse, where he became known for his ability to balance technical precision with a specific emotional quality.

The sitter, Madame André Salmon, is depicted with a bobbed hairstyle and a direct gaze. Her hands are folded across her torso, holding a pink flower, which introduces a soft, organic element to the composition. The dress features decorative green flourishes along the neckline and sleeves, adding a subtle graphic quality to the otherwise smooth application of paint. Kisling's brushwork remains controlled, avoiding excessive texture to maintain the clarity of the forms. The oval format creates a sense of intimacy, isolating the subject from a wider environment and focusing the composition on her presence.

This portrait reflects the artistic climate of post-war Paris, where artists often moved away from the radical fragmentation of earlier avant-garde movements toward a more structured, representational style. Kisling's work from this era often features this specific combination of bold, flat colour fields and carefully observed human features. The painting remains a representative example of his portraiture, demonstrating his technical skill and his position within the international community of artists who gathered in Paris during the early twentieth century.