A somber 1858 etching by Léopold Flameng depicting the artist Charles Meryon during his time at the Charenton asylum.

This etching by Léopold Flameng captures the French printmaker Charles Meryon during a period of confinement at the Charenton asylum. Executed in 1858, the work offers a direct, unvarnished view of the artist in a state of physical and mental exhaustion. Flameng employs a heavy, expressive line quality to define the shadows and the texture of the bedding, creating a sense of claustrophobia within the composition.

The figure of Meryon is positioned centrally, propped up against pillows, his gaze directed away from the viewer. The stark contrast between the light falling on his face and the deep, dark shadows cast against the wall behind him creates a somber atmosphere. Flameng avoids idealisation, choosing instead to document the reality of his subject's circumstances. The etching technique allows for a range of tones, from the delicate lines of the bedclothes to the dense, almost murky darkness of the background.

Flameng was a skilled technician, and his ability to convey psychological weight through the medium of etching is evident here. The work functions as a historical document of the friendship between the two artists, as well as a record of Meryon's decline. The inclusion of the name 'Charles Meryon' and the date '1858' at the bottom of the plate provides a formal anchor to the image. This print is a study in human vulnerability, stripped of artifice and presented with a focus on the immediate, tangible environment of the sitter. It remains a significant example of nineteenth-century portraiture, demonstrating the capacity of the etched line to communicate mood and character with economy and precision.