A seventeenth-century Dutch engraving depicting the Amsterdam preacher Conradus Hoppe, complete with an elaborate calligraphic cartouche.

This seventeenth-century portrait print depicts Conradus Hoppe, a preacher serving the Lutheran community in Amsterdam. Executed by the Dutch engraver Jan Veenhuysen, the work follows the conventions of clerical portraiture common during the Dutch Golden Age. Hoppe is shown in a seated position, dressed in the sober, dark robes typical of his profession. His right hand rests upon an open book, likely a Bible or a theological text, which serves as a visual indicator of his scholarly and religious vocation. The background features a heavy curtain and a column, elements often employed in period portraiture to suggest a setting of gravity and intellectual weight.

The print is notable for its inclusion of an elaborate cartouche at the base, which contains a lengthy Dutch inscription praising the subject. This text, written by F. van Zesen, uses wordplay on the name Hoppe to describe his spiritual journey and dedication to his faith. The engraving technique demonstrates the precision characteristic of Veenhuysen, with fine lines used to model the folds of the fabric and the contours of the subject's face. The composition is balanced and formal, reflecting the social status of the clergy in Amsterdam during this period. The inclusion of the artist's address at the bottom of the cartouche indicates that this print was produced for public distribution, likely sold as a standalone portrait or as an illustration for a theological publication. The work provides a clear view into the visual culture of the Dutch Reformed and Lutheran circles of the late seventeenth century, where the image of the preacher was carefully constructed to convey authority, piety, and learning.