A formal portrait engraving of Johan Maurits, Count of Nassau-Siegen, by the German artist Elias Nessenthaler.

This engraving by Elias Nessenthaler depicts Johan Maurits, Count of Nassau-Siegen, a figure of significant political and military standing in the seventeenth century. The portrait is executed with the precision characteristic of eighteenth-century printmaking, employing fine cross-hatching to model the subject's features and the texture of his period attire. The sitter is presented within an oval frame, a common convention for formal portraiture of the era, which draws the eye directly to his expression and the details of his costume, including the distinctive collar and the cross of his order.

Nessenthaler, an engraver active in Augsburg, demonstrates a technical command of the burin. The lines are controlled and deliberate, creating a sense of volume in the subject's hair and the folds of his garment. The surrounding border features a decorative, repeating motif that provides a structured contrast to the central portrait. Below the oval, the Latin inscription identifies the subject, detailing his titles and roles, which was standard practice for commemorative prints intended for circulation among the educated elite.

This work is a clear example of the portrait print as a vehicle for disseminating the likeness of public figures. The composition is balanced and formal, reflecting the aesthetic values of the period. The print captures the gravity expected of a statesman, with the artist focusing on the clarity of the facial features and the heraldic elements that signify the subject's status. As a museum-grade reproduction, this print offers a glimpse into the graphic traditions of the German Baroque, where the marriage of portraiture and typography served both historical and decorative purposes.