A detailed seventeenth-century engraving by Crispijn van de Passe (II) featuring the clergyman Pieter Andriesz Hesseling with a memento mori.

This engraving by Crispijn van de Passe (II) depicts the Dutch clergyman Pieter Andriesz Hesseling. The composition follows the conventions of seventeenth-century portraiture, placing the subject behind a table with an open book. Hesseling is shown in a three-quarter view, wearing a dark doublet and a traditional ruff collar. His hand rests upon the pages of a large volume, suggesting his role as a scholar and minister.

To the right, a skull rests upon a ledge, partially obscured by a heavy curtain. This inclusion serves as a memento mori, a common motif in Dutch art of the period intended to remind the viewer of the transience of life. The inscription at the base of the print identifies the sitter as a servant of the divine word in Amsterdam and includes a verse reflecting on his ministry and his dedication to his congregation.

Van de Passe employs precise hatching and cross-hatching techniques to define the textures of the fabric, the skin, and the paper. The lighting is focused, drawing attention to the sitter's face and the text within the book. The background is rendered with subtle horizontal lines, providing a neutral space that keeps the focus on the figure. This work demonstrates the technical skill of the Van de Passe family, who were instrumental in the production of high-quality prints in the Netherlands during the early seventeenth century. The print is a clear example of the intersection between religious devotion and portraiture, common in the cultural climate of the Dutch Republic.