Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.

"Potato Harvest" by Gustave de Smet depicts figures working in a field, rendered in a simplified, geometric style with earthy tones, reflecting his association with Flemish Expressionism.
Gustave de Smet (1877-1943) was a Belgian painter associated with Flemish Expressionism. He is known for his simplified, geometric style and his depictions of rural life and landscapes. De Smet's work often features flattened perspectives and a limited colour palette, creating a sense of stillness and introspection. He was a member of the second Latem School of artists, who moved away from impressionism towards a more expressionist style. In "Potato Harvest", de Smet presents a scene of agricultural labour. Three figures are shown working in a field, their bodies bent over as they gather potatoes. The composition is simplified, with the figures rendered in blocky, geometric forms. The colour palette is dominated by earthy tones of red, brown, and ochre, with touches of blue and black. The background features a suggestion of buildings and a cart, further establishing the rural setting. The painting's style reflects de Smet's interest in reducing forms to their essential elements, creating a sense of monumentality and timelessness.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
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When war broke out in 1914, De Smet and his friend Frits Van den Berghe fled Belgium together for the Netherlands. The flight transformed both painters. In the Netherlands, exposure to the Bergen School and to Leo Gestel's work converted De Smet from an Impressionist into an Expressionist. He returned to Belgium in 1922 a different artist. He was born in Ghent in 1877. His father Jules was a decorative painter and photographer. He attended the Royal Academy of Fine Arts in Ghent from 1889 to 1896, then joined the artistic community at Sint-Martens-Latem, where he, Constant Permeke and Van den Berghe became the three founders of Flemish Expressionism, the second Latem School. After the war, he settled in Deurle in 1927. His mature paintings depict farmers, fishermen, popular entertainments and working-class women, composed as geometric, puzzle-like arrangements of coloured shapes that fuse Expressionism with Cubism. Village fairs and circus scenes recur frequently, treated with a formal rigour that lifts them out of genre painting into something more structural. His palette, brighter than Permeke's and more structured than Van den Berghe's, gives his Expressionism a decorative quality that softens without weakening the formal discipline underneath. He died in 1943, at sixty-six.
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