Price of Gasoline in the Third World - Jean-Michel Basquiat
Archival giclée
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Description
A 1981 Neo-expressionist work by Jean-Michel Basquiat, featuring his signature raw line quality, layered text, and fragmented figurative imagery.
Produced in 1981, Price of Gasoline in the Third World is a large-scale work that demonstrates the characteristic visual language of Jean-Michel Basquiat. The composition is divided into two distinct sections by a heavy black vertical bar, a technique the artist employed to manage the density of his imagery. The surface is crowded with a mixture of figurative sketches, anatomical diagrams, and handwritten text, creating a layered effect that mimics the urban environment of New York City during the late 1970s and early 1980s. Basquiat utilises a combination of acrylic paint and oilstick to construct his figures. The line quality is raw and immediate, reminiscent of the graffiti tags he produced under the pseudonym SAMO. The work incorporates specific motifs, such as the haloed figures and skeletal forms, which recur throughout his oeuvre. These elements are placed alongside schematic drawings of buildings and road signs, including the word 'MUJER' (woman) prominently displayed in a black box. The inclusion of text serves as a graphic element rather than a narrative guide, forcing the viewer to engage with the work as a collection of signs and symbols. The palette is largely restricted to black, white, and muted tones, with occasional splashes of yellow and red. This restraint allows the complexity of the mark-making to remain the primary focus. The work functions as a visual archive of the artist's observations, blending personal iconography with broader social commentary. By juxtaposing disparate images, Basquiat creates a tension between the chaotic nature of the composition and the deliberate placement of each element. This piece remains a representative example of his ability to synthesise high art traditions with the visual vernacular of the street.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Specific Features
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- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
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- Frames in black, natural wood, dark wood or white
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Price of Gasoline in the Third World - Jean-Michel Basquiat
Artist Biography
Jean Michel Basquiat
He had no formal art training. He dropped out of school at seventeen and slept on park benches and friends' floors. He sold hand-painted postcards and t-shirts. He gate-crashed a restaurant where the critic Henry Geldzahler was eating with Andy Warhol and handed them a postcard. Warhol bought one. The art world opened.
By twenty-one he was showing in galleries. By twenty-two he was the youngest artist ever invited to Documenta in Kassel. The paintings are dense, layered, furious: text fragments, anatomical drawings, crown symbols, crossed-out words, references to Black history, jazz, boxing, anatomy textbooks, and street signage. They look unplanned but they are not. The crossed-out words are deliberate. He wanted you to read them, then register the erasure.
He and Warhol collaborated on a series of paintings in 1984 and 1985. The relationship was complicated by the art market's tendency to treat Basquiat as Warhol's protege rather than his peer, and by the fact that Warhol, older and more established, got better reviews for the joint work. Basquiat pulled away.
He died of a heroin overdose in 1988, at twenty-seven. His paintings now sell for over 100 million dollars. He would have found that both satisfying and absurd.
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