A powerful 1925 lithograph by Käthe Kollwitz, depicting the emotional toll of poverty through stark contrast and expressive, simplified forms.

Käthe Kollwitz produced this lithograph as part of her Proletariat series in 1925. The work captures the psychological weight of economic hardship in post-war Germany. Kollwitz focuses on the domestic sphere, presenting a family unit defined by exhaustion and uncertainty. The composition relies on a stark contrast between light and shadow, a technique the artist utilised to direct the viewer's attention to the expressions of her subjects.

The figures emerge from a deep, impenetrable black background. A man and a woman are positioned in the upper portion of the frame, their faces partially obscured by shadow, suggesting a sense of resignation or despair. Below them, a child stares directly at the viewer with wide, hollow eyes. This gaze creates an immediate connection, forcing an encounter with the reality of poverty. The child's face is rendered with simplified, bold lines that convey a sense of vulnerability.

Kollwitz was known for her dedication to depicting the lives of the working class. She avoided sentimentality, preferring to document the physical and emotional toll of social inequality. Her technical approach in this lithograph is direct and unadorned. By stripping away unnecessary detail, she ensures the focus remains on the human condition. The heavy use of ink creates a somber atmosphere, reflecting the bleak circumstances of the subjects. This print is a clear example of her ability to communicate complex social narratives through minimal visual elements. It remains a significant piece within her body of work, demonstrating her mastery of printmaking as a medium for social commentary.