A powerful 1870 political lithograph by Honoré-Victorin Daumier, using the myth of Prometheus to allegorise the state of France during the Franco-Prussian War.

This lithograph by Honoré-Victorin Daumier, titled 'La France - Prométhée et l'aigle-vautour', dates to 1870. It belongs to the 'Actualités' series, a collection of satirical prints published in the French press. Daumier uses the classical myth of Prometheus to comment on the political climate of France during the Franco-Prussian War.

In the composition, France is personified as the chained figure of Prometheus, bound to a rock. An eagle, representing Prussia, descends to torment the figure. The visual language is stark and dramatic, relying on high-contrast black and white tones typical of Daumier's lithographic work. The artist employs expressive, gestural lines to convey the suffering of the figure and the predatory nature of the bird. The background is minimal, focusing the viewer on the central struggle.

Daumier was a prolific caricaturist who frequently used mythological and historical allegories to critique contemporary figures and events. His work often appeared in journals such as 'Le Charivari'. This specific print captures the anxiety and nationalistic tension of the period. The artist's ability to translate complex political situations into accessible, emotive imagery is evident here. The print is a characteristic example of his late-career output, where his style became increasingly fluid and focused on the psychological weight of his subjects. The inclusion of the 'Actualités' header and the plate number 309 confirms its origin as a mass-produced periodical illustration, intended for a wide audience to interpret the ongoing conflict through a lens of classical tragedy.