Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.

This abstract composition by El Lissitzky features geometric forms arranged in a dynamic spatial relationship. 'Proun 1 A, Bridge I' showcases the artist's exploration of Suprematism and Constructivism.
El Lissitzky, born Lazar Markovich Lissitzky in 1890, was a Russian artist, designer, photographer, typographer, polemicist, and architect. He was an important figure of the Russian avant-garde, helping develop Suprematism with his mentor, Kazimir Malevich, and designing constructivist exhibitions and propaganda for the Soviet Union. His work greatly influenced the Bauhaus and De Stijl movements. Lissitzky experimented with production techniques and stylistic devices that would dominate 20th-century graphic design. 'Proun 1 A, Bridge I' exemplifies Lissitzky's Proun compositions, which explored the relationship between painting and architecture. The work features geometric forms arranged in a dynamic, spatial composition. Rectangles, squares, and circular elements intersect and overlap, creating a sense of depth and movement. The colour palette is restrained, with shades of grey, brown, and white dominating the composition. The linear quality is precise, with thin lines defining the edges of the geometric shapes. The overall effect is one of controlled energy and spatial ambiguity, characteristic of Lissitzky's innovative approach to abstract art.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
rejected from art school for being Jewish, inventing Prouns between painting and architecture, and designing propaganda while bedridden with tuberculosis
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