Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.









A scene from the Cupid and Psyche myth, Burne-Jones's 'Psyche Receiving the Casket from Proserpine' is a dreamlike Symbolist painting with ethereal figures and rich symbolism, perfect for adding Pre-Raphaelite elegance to your home.
Edward Burne-Jones's 'Psyche Receiving the Casket from Proserpine' is a captivating scene from the Cupid and Psyche myth, part of a series of murals created for the Palace Green Murals project in 1881. Burne-Jones, a key figure in the British Aesthetic Movement, imbues this work with a dreamlike quality and rich symbolism. The composition depicts Psyche, having succumbed to the deadly sleep induced by the contents of Proserpine's casket, being tenderly embraced by Cupid. In the background, Charon ferries souls across the river Styx, adding a layer of classical allusion and melancholy. Burne-Jones's meticulous attention to detail, combined with the ethereal beauty of his figures, makes this a quintessential example of late 19th-century Symbolist painting. The muted colour palette and flowing lines contribute to the overall sense of otherworldly beauty. As a fine art print, this work brings a touch of Pre-Raphaelite elegance and classical mythology to any interior. Its timeless appeal and narrative depth make it a conversation piece, ideal for creating a sophisticated and contemplative atmosphere in your home.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
Edward Burne-Jones, a leading light of the second wave of the Pre-Raphaelite movement, wasn't born into an artistic family. In fact, his early life pointed towards a career in the church. But a meeting with William Morris while studying theology at Exeter College, Oxford, set him on a different path. The pair were captivated by medieval legends and the Romantic poets, and together they abandoned their religious aspirations to pursue art and design. Burne-Jones, under the mentorship of Dante Gabriel Rossetti, quickly developed a distinctive style characterized by ethereal figures, rich colours, and a deep sense of melancholy. Burne-Jones's artistic vision extended beyond painting. He embraced decorative arts, creating stained glass, tapestries, and furniture, often in collaboration with William Morris's firm, Morris & Co. His designs adorned churches, country houses, and public buildings, embodying the Pre-Raphaelite ideal of integrating art into everyday life. Though he never formally joined the Pre-Raphaelite Brotherhood, his aesthetic sensibilities aligned perfectly with their principles, and he became one of the most influential artists of the late 19th century. His notable works, such as 'The Beguiling of Merlin', 'Love Among the Ruins', and the 'Perseus Cycle', showcase his masterful storytelling and symbolic language. Burne-Jones's art offered an escape from the industrialised world, inviting viewers into a realm of beauty, myth, and poignant emotion. His influence rippled through the Symbolist movement, inspiring artists to explore the inner landscapes of the human psyche.
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