Pumpkin leaves drooping - Grace Cossington Smith
Archival giclée
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Description
A modernist study of pumpkin foliage by Grace Cossington Smith, featuring rhythmic brushwork and a palette of deep greens.
Grace Cossington Smith was a pioneer of Modernism in Australia. Her approach to painting involved the use of small, rhythmic brushstrokes to build form and light. In this work, she captures the physical weight and texture of pumpkin foliage. The leaves are rendered with a focus on their structural geometry rather than mere botanical accuracy.
Cossington Smith often applied paint in a mosaic-like fashion. This technique creates a sense of movement across the surface of the board. The palette is dominated by various shades of green, ranging from deep, shadowed tones to lighter, sun-drenched hues. These colours work together to define the drooping posture of the leaves as they hang towards the ground.
By breaking the subject into distinct, repetitive marks, the artist directs the viewer to observe the rhythm of the plant. The composition avoids traditional perspective, opting instead for a flattened, decorative arrangement that emphasises the tactile quality of the oil paint. This work reflects the artist's interest in the way light interacts with natural forms, a theme she explored throughout her career. Her work is held in major Australian collections, including the Art Gallery of New South Wales, where her contribution to the development of Australian art is recognised. This print captures the specific energy of her brushwork, preserving the texture of the original oil application.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Pumpkin leaves drooping - Grace Cossington Smith
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