Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.

A woodblock print by Ohara Koson, 'Quail over the Forest' depicts a quail in flight against a backdrop of silhouetted trees. The muted colour palette and careful detail capture the essence of Japanese aesthetics.
Ohara Koson (1877-1945) was a Japanese artist associated with the Shin-Hanga movement. This artistic period, which occurred in the early 20th century, aimed to revitalise traditional Ukiyo-e woodblock printing, blending it with Western influences. Koson is particularly known for his depictions of birds and flowers, often rendered with a close attention to detail and naturalistic observation. His work captures the essence of Japanese aesthetics, combining realism with a sense of decorative design. 'Quail over the Forest' exemplifies Koson's skill in portraying avian subjects. The print features a quail in flight, its wings outstretched, set against a backdrop of silhouetted trees. The quail's plumage is rendered with careful detail, showcasing the varied patterns and textures of its feathers. The composition is balanced, with the bird's dynamic pose contrasting against the static trees below. The colour palette is muted, dominated by earthy tones and soft greys, creating a serene and contemplative mood. The print demonstrates the Shin-Hanga movement's fusion of traditional techniques with modern sensibilities, resulting in a visually appealing and culturally significant work.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
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designing five hundred bird-and-flower woodblock prints for Western buyers in a classical Japanese tradition, forgotten in Japan until the 1970s
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