A satirical lithograph by Gustave Doré depicting the chaotic and bohemian life of art students in a nineteenth-century Parisian studio.

This lithograph by Gustave Doré, titled Rats peintres (alias rapins), offers a satirical glimpse into the nineteenth-century Parisian art world. Doré, known for his prolific output as an illustrator and painter, employs his characteristic wit to depict a group of art students, or rapins, gathered in a studio. The term rapin refers to a student or assistant in an artist's studio, often implying a bohemian or dishevelled lifestyle.

The composition centres on an easel where a student works on a study of a foot. A crowd of peers surrounds the artist, observing the progress with varying expressions of scrutiny and amusement. To the left, a figure hangs from ropes, serving as a model for the class. The background features additional figures perched on a ledge, suggesting a crowded and chaotic academic environment. Doré uses loose, expressive lines to capture the energy of the scene, prioritising characterisation over rigid anatomical precision.

This work reflects the social dynamics of the French art academies of the period. The comparison of these students to rats suggests a playful critique of their behaviour and their status within the hierarchy of the art world. Doré's ability to blend observation with caricature is evident here, as he captures the specific postures and attitudes of the young men. The lithographic medium allows for a fluid, sketch-like quality that enhances the informal nature of the subject matter. As a piece of social commentary, it provides insight into the daily lives of those training to become professional artists in mid-nineteenth-century France, far removed from the formal portraits typically associated with the era. The print remains a record of the camaraderie, competition, and occasional absurdity found within the walls of the studio.