Fine Art Poster
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
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A detailed topographical oil painting by Willem Troost (II) depicting the Buitenzorg Palace in Java prior to the 1834 earthquake.
This painting by Willem Troost (II) captures the Buitenzorg Palace, now known as the Bogor Palace in Indonesia, shortly before the destructive earthquake of 10 October 1834. As a Dutch artist active in the East Indies, Troost documented the colonial architecture and the surrounding tropical environment with a focus on clarity and atmospheric light. The composition presents the rear facade of the palace, a structure defined by its neoclassical proportions and long, colonnaded galleries. The building sits in a manicured garden setting, typical of the period's colonial estates, where European architectural ideals were adapted to the Javanese climate.
The foreground features a calm pond, reflecting the soft, warm hues of the sky. Figures are positioned near the water, providing a sense of scale to the expansive grounds. The vegetation includes palms and various shrubs, rendered with attention to the specific flora of the region. The sky occupies a large portion of the canvas, filled with soft, billowing clouds that suggest a quiet, late afternoon atmosphere. This work functions as a historical record of the palace's original state, as the 1834 earthquake necessitated significant reconstruction and alterations to the building's design.
Troost's technique relies on smooth brushwork and a balanced palette, characteristic of nineteenth-century topographical art. The painting avoids dramatic exaggeration, opting instead for a measured, observational approach. The inclusion of the wooden bridge and the figures walking along the path adds a narrative quality to the scene, grounding the architectural subject in the daily life of the estate. This piece offers a view into the colonial history of Java, preserving the appearance of a site that underwent substantial physical changes following the seismic event of 1834.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From $89
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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