A detailed etching by Jean Moyreau after Paolo Veronese, depicting the biblical meeting of Rebecca and Eliezer at the well.

This fine art print by Jean Moyreau is an etching and engraving that reproduces a painting by the Venetian master Paolo Veronese. The composition depicts the biblical narrative of Rebecca at the well, where she encounters Eliezer, the servant of Abraham, who has been sent to find a wife for Isaac. Moyreau, a skilled French engraver, captures the theatricality of the original scene through precise line work and tonal variation.

The scene is set against a backdrop of classical ruins, which frame the central figures. Rebecca stands at the well, offering water to Eliezer, while camels and attendants wait nearby. The artist employs a range of hatching techniques to define the textures of the drapery, the rough stone of the well, and the foliage of the trees. The light source appears to emanate from the upper left, casting soft shadows that give volume to the figures and the architectural elements.

As a reproductive print, this work reflects the eighteenth-century practice of disseminating the compositions of Old Masters to a wider audience. The inscription at the base of the print identifies the original painting as part of the French royal collection, the Cabinet du Roy. Moyreau was known for his ability to translate the painterly qualities of Italian works into the monochromatic medium of printmaking. The attention to detail in the facial expressions and the posture of the figures maintains the narrative clarity of the original Veronese composition. This print offers a view into the historical appreciation of Venetian art within the French courtly context, demonstrating the technical proficiency of the engraver in rendering complex scenes with clarity and balance.