A detailed etching by Louis Fabritius Dubourg depicting the biblical meeting of Rebekka and Eliëzer at the well.

This etching depicts the biblical encounter between Rebekka and Eliëzer at the well, a subject frequently explored by Dutch artists of the eighteenth century. Louis Fabritius Dubourg, a Dutch painter and etcher, captures the moment Eliëzer drinks from the pitcher offered by Rebekka. The composition focuses on the interaction between the two figures, with secondary characters positioned in the background to provide context to the narrative.

Dubourg employs a precise etching technique to define the textures of the drapery and the surrounding foliage. The lines are controlled, creating a sense of volume in the figures and depth in the scene. The artist uses cross-hatching to build shadows, particularly within the folds of the garments and the shaded areas beneath the trees. This approach allows for a clear distinction between the foreground subjects and the atmospheric background.

As a practitioner of the Dutch tradition, Dubourg demonstrates an interest in human gesture and expression. The figures are rendered with a degree of classical idealism, reflecting the influence of contemporary European art trends on Dutch printmaking during this period. The scene is framed by a simple border, which directs the viewer's attention to the central exchange. The work serves as an example of the technical proficiency found in eighteenth-century print production, where narrative clarity and draughtsmanship were prioritised. The print provides insight into how biblical stories were interpreted and visualised for a public audience, maintaining a balance between religious subject matter and the aesthetic conventions of the time.