Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.








A striking piece by Keith Haring, 'Red-Yellow-Blue No. 15' features bold lines and primary colours in an abstract composition, characteristic of his pop art style and social commentary.
Keith Haring (1958-1990) was an American artist and social activist known for his distinctive pop art and graffiti-like drawings. Emerging from the New York City street culture of the 1980s, Haring's work often addressed social and political themes, including drug abuse, AIDS awareness, and nuclear disarmament. His art is characterised by bold lines, bright colours, and simple, cartoonish figures. Haring's style is instantly recognisable and widely accessible, contributing to his popularity and influence. He frequently collaborated with other artists and musicians, further expanding his reach and impact. Haring's work can be found in major museums and public spaces around the world. 'Red-Yellow-Blue No. 15' exemplifies Haring's signature style. The composition features interlocking abstract figures outlined in thick black lines, filled with blocks of primary colours. The figures appear to be in motion, creating a dynamic and energetic visual experience. The use of bold colours against a black background enhances the artwork's visual impact. The overall effect is both playful and thought-provoking, reflecting Haring's ability to blend art with social commentary.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
Real reviews from real customers
Drew forty subway pictures a day, got arrested for vandalism, opened a shop the art world hated, and spent his last years turning AIDS activism into public art.
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