A quiet, atmospheric depiction of the Holy Family resting between the paws of the Great Sphinx, painted by French Academic artist Luc-Olivier Merson.

Luc-Olivier Merson, a prominent figure in the French Academic tradition, completed this work in 1879. The painting depicts the Holy Family during their flight to Egypt, a subject drawn from the Gospel of Matthew. Merson departs from traditional depictions by placing the figures in the shadow of the Great Sphinx of Giza, rather than a more conventional pastoral setting.

The composition is defined by a stark contrast between the colossal, ancient monument and the vulnerable figures of Mary and the infant Jesus. Mary rests between the paws of the Sphinx, while Joseph sleeps on the sand nearby, accompanied by their donkey. The vast, dark sky occupies a significant portion of the canvas, creating a sense of isolation and quietude. Merson employs a muted, nocturnal palette that emphasises the stillness of the desert night. The light source appears to emanate from the moon or a celestial glow, casting soft illumination upon the stone surface of the Sphinx and the figures below.

This work is noted for its atmospheric quality and its departure from the more rigid compositions typical of the period. Merson was known for his attention to historical detail and his ability to infuse religious narratives with a sense of human fragility. The painting was well-received at the 1879 Paris Salon, where it earned the artist a first-class medal. It remains a notable example of late nineteenth-century French painting, demonstrating a shift toward more evocative and symbolic interpretations of traditional themes. The print captures the subtle tonal gradations of the original, preserving the quiet, meditative mood of the scene.