Fine Art Poster
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Revolving - Kurt Schwitters
Regular price
$29.00 USD
Sale price
$29.00 USD
Regular price
Archival giclée
Frames arrive ready to hang
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Made to order
Description
A 1919 Dada assemblage by Kurt Schwitters, featuring geometric forms and found objects arranged in a mechanical, revolving composition.
Kurt Schwitters, a central figure in the Dada movement, created Revolving in 1919. This work exemplifies his Merz practice, a term he coined to describe his method of assembling found objects into coherent compositions. By repurposing discarded materials, Schwitters challenged traditional notions of fine art, shifting the focus from academic technique to the arrangement of everyday debris.
The composition is dominated by circular forms and geometric lines, suggesting mechanical motion or industrial components. The surface features a muted palette of greens, blues, and earthy tones, applied with a painterly quality that softens the harshness of the metal and wood elements. The arrangement of these disparate parts creates a sense of balance, despite the unconventional nature of the materials used. The circular shapes appear to rotate within the frame, providing a kinetic energy that contrasts with the static nature of the board.
Schwitters often incorporated items salvaged from his immediate environment, reflecting the post-war climate of Germany. His work in this period demonstrates a move towards a more structured, geometric aesthetic, which would later influence the development of Constructivism. By integrating physical objects into the picture plane, he blurred the boundary between painting and sculpture. This piece remains a clear example of his ability to transform mundane refuse into a structured visual experience, inviting the viewer to consider the aesthetic potential of the discarded.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
Revolving - Kurt Schwitters
Regular price
From $29.00 USD
Sale price
From $29.00 USD
Regular price
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
Kurt Schwitters
Schwitters built an artwork inside his house in Hanover. Starting around 1923, the Merzbau grew outward from a column of collaged objects in his studio until there was barely room to live. He worked on it for sixteen years. Allied bombing destroyed it in 1943. He built a second Merzbau in Lysaker, Norway. The Nazis invaded; he abandoned it. It burned down in 1951. He started a third at Cylinders Farm in the English Lake District. He died in January 1948, leaving it unfinished.
He was born in Hanover in 1887, an only child whose father ran a ladies' clothing shop. He suffered from epilepsy throughout his life. He fled to Norway in 1937, then to Scotland in 1940, where he was classified as an enemy alien and interned in camps including Hutchinson Camp on the Isle of Man. While interned, he allegedly made small sculptures from leftover oatmeal.
His art, which he called Merz (a fragment of the word Kommerz), used collage, found objects, poetry, sound art, typography, and installation. He worked across Dadaism, Constructivism, and Surrealism, often simultaneously. He was largely neglected by the time he died.
He was born in Hanover in 1887, an only child whose father ran a ladies' clothing shop. He suffered from epilepsy throughout his life. He fled to Norway in 1937, then to Scotland in 1940, where he was classified as an enemy alien and interned in camps including Hutchinson Camp on the Isle of Man. While interned, he allegedly made small sculptures from leftover oatmeal.
His art, which he called Merz (a fragment of the word Kommerz), used collage, found objects, poetry, sound art, typography, and installation. He worked across Dadaism, Constructivism, and Surrealism, often simultaneously. He was largely neglected by the time he died.
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Fine Art Framed
From $89
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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