Riding Scene (after Johann Elias Ridinger) - Franz Marc
Archival giclée
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Description
A striking woodcut by Franz Marc, reinterpreting an eighteenth-century equestrian engraving through a bold, Expressionist lens.
This woodcut by Franz Marc demonstrates his fascination with the animal form, filtered through the lens of early twentieth-century German Expressionism. The composition is a direct reinterpretation of an eighteenth-century engraving by Johann Elias Ridinger, titled Trotting, which appeared in the 1722 publication Neue Reit-Kunst. While Ridinger focused on anatomical precision and the technical aspects of horsemanship, Marc transforms the subject into a series of dynamic, angular shapes.
The print utilises the stark contrast of black and white typical of the woodcut medium. Marc employs bold, jagged lines to convey movement and energy, moving away from the static nature of the original source material. The horse and rider are integrated into a fractured background, where space is compressed and flattened. This approach reflects Marc's interest in the spiritual essence of his subjects, rather than their physical appearance. He often sought to depict the world as animals might perceive it, stripping away human perspective in favour of raw, elemental force.
Marc was a founding member of Der Blaue Reiter, a group that prioritised emotional expression and symbolic colour. Although this work is monochromatic, the energy of his brushwork and the rhythmic repetition of the lines suggest the same intensity found in his larger oil paintings. The horse, a recurring motif in his oeuvre, serves as a vehicle for exploring themes of vitality and natural harmony. By referencing historical equestrian art, Marc positions his modern aesthetic in dialogue with the past, while simultaneously asserting the radical departure of the Expressionist movement from traditional representational standards. This print offers a clear view into the artist's process of abstraction, where historical subject matter is distilled into a powerful, graphic arrangement of form and shadow.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Riding Scene (after Johann Elias Ridinger) - Franz Marc
Artist Biography
Franz Marc
In 1911, Marc co-founded Der Blaue Reiter (The Blue Rider) with Wassily Kandinsky, a pivotal group that championed abstract art and spiritual expression. This collective fostered an environment of experimentation and collaboration, pushing the boundaries of modern art. Key works such as "The Large Blue Horses" and "Fighting Forms" exemplify Marc's distinctive style, characterised by bold colours, simplified forms, and a deep sense of empathy for the animal kingdom. He believed that by portraying animals, he could reveal a deeper, more authentic reality.
Tragically, Franz Marc's artistic journey was cut short during World War I. He volunteered for military service and was killed in action at Verdun in 1916, at the age of 36. Despite his untimely death, Marc's legacy endures as a visionary artist who sought to capture the spiritual essence of nature and explore the depths of human emotion through his vibrant and expressive paintings.
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