A striking Neo-Impressionist coastal scene by Théo van Rysselberghe, capturing the red rocks of Anthéor through rhythmic, divisionist brushwork.

Théo van Rysselberghe, a central figure in the Belgian Neo-Impressionist movement, produced this study of the Mediterranean coastline during his time in the south of France. The work captures the rugged terrain of Anthéor, where the distinctive red porphyry rocks meet the sea. Van Rysselberghe employs a systematic application of colour, utilising the divisionist technique to separate hues into individual strokes. This method allows the viewer's eye to blend the colours optically, creating a sense of luminosity that reflects the intense light of the region.

The composition is structured around the contrast between the warm, saturated oranges and purples of the rock formations and the cool, rhythmic blues of the water. The artist avoids blending pigments on the palette, preferring to place distinct marks of paint side by side. This approach creates a surface texture that feels both structured and energetic. The foreground is dominated by the craggy mass of the cliff, which frames the view and draws the eye towards the distant, hazy hills across the bay.

Van Rysselberghe was deeply influenced by the scientific theories of colour perception developed by Georges Seurat and Paul Signac. However, his later works, such as this piece, show a move towards a freer, more expressive application of paint. The brushwork is broader and more confident than his earlier, more rigid pointillist experiments. By focusing on the interplay of light and shadow across the jagged surfaces, the artist conveys the physical presence of the landscape without relying on traditional modelling. The result is a study of colour relationships that captures the specific atmosphere of the French Riviera at the turn of the twentieth century.