A refined red chalk drawing by Augustin Pajou, featuring the French royal coat of arms supported by allegorical figures and inscribed with a tribute to Louis XV.

This drawing by Augustin Pajou depicts the royal coat of arms of France, featuring the traditional fleur-de-lis emblem. The composition is structured around a central shield, which is supported by two winged figures, likely representing angels or allegorical personifications of virtue. Above the shield, a crown rests upon a draped banner inscribed with the phrase 'Louis Le Bien-Aimé', a reference to King Louis XV of France. The lower section includes the insignia of the Order of the Holy Spirit, suspended from the shield by a decorative chain.

Pajou, primarily known for his work as a sculptor, demonstrates his proficiency in draughtsmanship through this piece. The use of red chalk allows for a soft, tonal quality that defines the musculature of the figures and the folds of their drapery. The artist employs a balanced, symmetrical arrangement typical of eighteenth-century French decorative arts. The clouds at the base provide a sense of elevation, suggesting that the escutcheon is suspended in a celestial space.

This work reflects the formal visual language of the French monarchy during the mid-eighteenth century. The precision of the lines and the careful attention to heraldic detail indicate that this may have been a preparatory study for a larger sculptural commission or a decorative panel. The drawing captures the aesthetic preferences of the period, where classical motifs were integrated with royal iconography to project authority and grace. The monochromatic palette focuses the viewer on the form and the technical skill of the artist, rather than colouristic effects. It remains a clear example of the academic training and stylistic rigour that defined the output of the Académie Royale de Peinture et de Sculpture during this era.