Saint George and the Dragon: The Princess Tied to the Tree - Edward Burne-Jones
Archival giclée
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Description
A sombre, atmospheric depiction of the princess from the Saint George legend, painted by Edward Burne-Jones in the mid-1860s.
This work is a component of the larger Saint George and the Dragon series, commissioned by Myles Birket Foster for his home, The Hill, in Witley. Edward Burne-Jones, a central figure in the later Pre-Raphaelite circle, approached the legend with a focus on the psychological state of the figures rather than the action of the combat. The princess, Sabra, is depicted in a moment of quiet resignation, bound to a tree while awaiting her fate. Her white gown creates a stark contrast against the dark, moody woodland setting, drawing the eye immediately to her form.
Burne-Jones utilised a muted palette to establish the sombre atmosphere of the scene. The figures in the background, rendered with less detail, provide a sense of distance and isolation. The composition relies on the verticality of the tree and the draped fabric of the princess's dress to guide the viewer's gaze. Unlike the more dramatic interpretations of this legend common in the Renaissance, this version prioritises the stillness of the subject. The artist's attention to the texture of the fabric and the subtle play of light upon the ground demonstrates his technical precision. This painting reflects the Victorian interest in medieval romance and chivalric tales, reinterpreted through a lens of romantic melancholy. The work remains a characteristic example of Burne-Jones's ability to imbue mythological subjects with a sense of personal, human vulnerability.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Saint George and the Dragon: The Princess Tied to the Tree - Edward Burne-Jones
Artist Biography
Edward Burne Jones
Though closely associated with Rossetti, Burne-Jones forged his own distinct path, drawing inspiration from Arthurian romances, classical mythology, and the burgeoning Symbolist movement. His works, such as 'The Beguiling of Merlin' and 'King Cophetua and the Beggar Maid', are not mere illustrations but rather explorations of complex emotional states and timeless human dramas. He embraced decorative arts, designing stained glass, tapestries, and mosaics, believing in the unity of art and life.
Burne-Jones's influence extended far beyond his own lifetime. His emphasis on beauty, imagination, and the evocative power of art paved the way for the Aesthetic movement and later Symbolist painters. Collecting a Burne-Jones print allows one to bring a touch of medieval romance and ethereal beauty into the everyday, a reminder of the power of art to transport and transform.
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