A detailed 1520 engraving by German Renaissance artist Sebald Beham, depicting Saint Simon with his traditional attribute, the saw.

This engraving by Sebald Beham, dated 1520, depicts Saint Simon, one of the twelve apostles. Beham, a member of the group known as the Little Masters, produced small-scale prints that demonstrate technical precision and mastery of the burin. The composition features the saint holding a saw, which is his traditional attribute, alongside another figure. The figures are rendered with careful attention to the folds of their garments and the texture of their features, typical of the German Renaissance style.

The print exhibits the characteristic cross-hatching and fine line work that defined the period. Beham uses these techniques to create volume and shadow, giving the figures a sense of weight despite the small dimensions of the plate. The inclusion of the artist's monogram, HSP, is visible in the lower left corner, a common practice for printmakers of the sixteenth century to identify their work. The background is kept relatively simple, allowing the focus to remain on the interaction between the two figures and their symbolic attributes.

As a fine art print, this piece offers a glimpse into the devotional art of the early sixteenth century. The work reflects the technical rigour of the Nuremberg school, where Beham was active. The print is presented on museum-grade paper to preserve the clarity of the original engraving. It serves as an example of the shift toward smaller, more portable works of art that became popular among collectors during the Renaissance. The careful balance of light and shadow, achieved through the density of the engraved lines, provides a depth that is characteristic of Beham's output. This print is suitable for those interested in the history of printmaking and the development of religious iconography in Northern Europe.