A striking sixteenth-century woodcut depicting the capture of Samson, based on a design by Titian and executed by the Venetian printmaker Nicolò Boldrini.

This woodcut, attributed to the Venetian printmaker Nicolò Boldrini, depicts the dramatic biblical moment where Samson is captured by the Philistines. The composition is based on a design by Titian, reflecting the close collaboration between painters and printmakers in sixteenth-century Venice. The scene captures the physical struggle as Samson, shorn of his strength, is seized by his captors.

Boldrini employs a sophisticated system of hatching and cross-hatching to define the musculature of the figures and the textures of their garments. The lines follow the contours of the bodies, creating a sense of volume and movement within the two-dimensional medium. The background features a simplified architectural setting and a distant landscape, which provides a sense of scale without distracting from the central action.

The print demonstrates the technical skill required to translate the painterly qualities of Titian's style into the stark, monochromatic language of the woodblock. The figures are arranged in a frieze-like manner, a common device in Renaissance art to clarify the narrative. The contrast between the light and shadow is achieved through the density of the cut lines, allowing for a clear reading of the figures against the ground. This work provides insight into the dissemination of artistic ideas during the period, as such prints allowed the compositions of major painters to reach a wider audience beyond the confines of private collections or churches. The print remains a fine example of the Venetian school of woodcutting, characterised by its expressive line work and dynamic composition.