A detailed eighteenth-century portrait engraving of the Prussian Grand Chancellor Samuel von Cocceji, executed by court engraver Georg Friedrich Schmidt.

This portrait of Samuel von Cocceji, the Prussian Grand Chancellor, is a fine example of the technical precision achieved by Georg Friedrich Schmidt. Schmidt, a Berlin-born engraver who spent time in Paris, was known for his ability to translate the painterly qualities of oil portraits into the medium of copperplate engraving. This work demonstrates his command of line and tone, capturing the textures of the subject's wig, the velvet of his coat, and the metallic sheen of his insignia.

The composition follows the conventions of eighteenth-century state portraiture. Cocceji is positioned within a stone architectural frame, a device that adds a sense of permanence and authority to the subject. Below the portrait, a putto holds an open book, likely referencing the subject's legal career and his role in the reform of the Prussian judicial system. The inclusion of a coat of arms and a Latin inscription further reinforces his status and professional identity. The use of cross-hatching and varied line weights creates a sense of volume and depth, particularly in the rendering of the stone ledge and the drapery.

Schmidt was appointed court engraver to Frederick the Great, and this work reflects the formal requirements of such a position. The clarity of the engraving allows for a detailed examination of the subject's features and the symbolic elements surrounding him. The work remains a document of the Prussian administration during the mid-eighteenth century, providing a clear view of the visual language used to communicate power and intellect in the period. The print is a study in the balance between representational accuracy and the decorative requirements of the era, showing the skill required to produce official portraiture for the European aristocracy.