Fine Art Poster
From $39
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Selected Details after Ingres II - Marcel Duchamp
Regular price
$39.00 USD
Sale price
$39.00 USD
Regular price
Archival giclée
Frames arrive ready to hang
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Made to order
Description
A minimalist etching by Marcel Duchamp, reinterpreting classical figures through a modern, conceptual lens.
Marcel Duchamp created Selected Details after Ingres II in 1968, shortly before his death. This work belongs to a series of etchings that revisit the classical draughtsmanship of Jean-Auguste-Dominique Ingres. By isolating specific figures from Ingres's compositions, Duchamp engages in a process of appropriation and recontextualisation. The image depicts a pair of figures, rendered with a sparse, economical line that strips away the academic finish of the original source material.
Duchamp, known for his conceptual approach to art, uses this series to examine the nature of reproduction and the status of the artist. The lines are thin and deliberate, focusing on the contours of the bodies rather than anatomical volume or shading. This reductionist technique shifts the viewer's attention from the narrative content of the original painting to the act of tracing and selection itself. The work functions as a meditation on the history of art, where the artist acts as an editor of existing visual culture.
The composition is notably flat, lacking the depth associated with traditional figurative studies. By removing the figures from their original context, Duchamp creates a sense of ambiguity. The figures appear detached, existing in a void that emphasises the simplicity of the mark-making. This print offers a glimpse into the later period of Duchamp's career, where he continued to question the boundaries between original creation and mechanical reproduction. It is a quiet, understated piece that invites close inspection of the line quality and the deliberate choice of subject matter. The work remains a significant example of how Duchamp utilised historical references to challenge conventional notions of authorship and artistic originality.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
Selected Details after Ingres II - Marcel Duchamp
Regular price
From $39.00 USD
Sale price
From $39.00 USD
Regular price
Fine Art Poster / Small Square (30x30 cm) / -
Artist Biography
Marcel Duchamp
Duchamp put a urinal on a plinth, signed it 'R. Mutt', and submitted it to an exhibition in 1917. The exhibition committee, which Duchamp was a member of, rejected it. He resigned in protest. The urinal, titled Fountain, is now considered one of the most important artworks of the twentieth century. The original was thrown away. Several replicas exist in major museums.
He was born near Rouen in Normandy, the brother of the sculptor Raymond Duchamp-Villon and the painter Jacques Villon. The family produced three significant artists, which is unusual. Marcel was the youngest and the most destructive.
His early career moved through Impressionism, Fauvism, and Cubism in rapid succession. Nude Descending a Staircase No. 2 (1912), a Cubist-Futurist painting of fragmented motion, caused a scandal at the New York Armory Show in 1913. One critic called it 'an explosion in a shingle factory'. The painting made Duchamp famous in America before he had set foot there.
He moved to New York in 1915. His contribution to art from this point was largely conceptual. The 'readymades', ordinary manufactured objects designated as art by the artist's choice (a bottle rack, a snow shovel, the urinal), dismantled the idea that art required skill, craft, or even making. The artist's decision was sufficient.
He spent twenty years officially retired from art, playing chess at a competitive level. In secret, he was building Etant Donnes, an installation visible only through two peepholes in a door. It was revealed after his death in 1968 and is permanently installed at the Philadelphia Museum of Art. He had been working on it for twenty years while telling everyone he had stopped making art.
He was born near Rouen in Normandy, the brother of the sculptor Raymond Duchamp-Villon and the painter Jacques Villon. The family produced three significant artists, which is unusual. Marcel was the youngest and the most destructive.
His early career moved through Impressionism, Fauvism, and Cubism in rapid succession. Nude Descending a Staircase No. 2 (1912), a Cubist-Futurist painting of fragmented motion, caused a scandal at the New York Armory Show in 1913. One critic called it 'an explosion in a shingle factory'. The painting made Duchamp famous in America before he had set foot there.
He moved to New York in 1915. His contribution to art from this point was largely conceptual. The 'readymades', ordinary manufactured objects designated as art by the artist's choice (a bottle rack, a snow shovel, the urinal), dismantled the idea that art required skill, craft, or even making. The artist's decision was sufficient.
He spent twenty years officially retired from art, playing chess at a competitive level. In secret, he was building Etant Donnes, an installation visible only through two peepholes in a door. It was revealed after his death in 1968 and is permanently installed at the Philadelphia Museum of Art. He had been working on it for twenty years while telling everyone he had stopped making art.
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Fine Art Framed
From $119
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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