A refined 1753 self-portrait by Dutch artist Cornelis van Noorde, rendered in delicate black chalk on paper.

This self-portrait by Cornelis van Noorde, executed in 1753, offers a direct encounter with the artist during his early career. Van Noorde, a Dutch draughtsman and engraver based in Haarlem, captures his own likeness with a focus on technical precision and psychological presence. The work is rendered in black chalk, a medium that allows for subtle gradations of tone and a soft, atmospheric quality across the surface of the paper.

The artist depicts himself in a three-quarter view, wearing the formal attire of the mid-eighteenth century, including a powdered wig and a structured coat. He holds a scroll or paper in his hand, a common attribute in portraiture of the period to signify the subject's profession or intellectual pursuits. The handling of the chalk demonstrates a disciplined approach to shading, with diagonal hatching used to define the contours of the face and the folds of the clothing. The background remains largely unadorned, ensuring that the viewer's attention stays fixed on the artist's steady gaze.

Van Noorde was active in the cultural life of Haarlem, producing numerous portraits and topographical views. This drawing reflects the conventions of eighteenth-century portraiture, where the artist sought to present a balanced and composed image of the self. The choice of black chalk provides a monochromatic aesthetic that emphasises the structural elements of the composition. By avoiding excessive detail, the artist allows the essential features of his expression to remain the primary focus. This piece provides a clear example of the draughtsmanship skills that defined his professional output, offering a glimpse into the personal identity of a creator working within the Dutch tradition of the period.