Fine Art Poster
From $39
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Self Portrait in a Group of Friends - Francesco Hayez
Regular price
$39.00 USD
Sale price
$39.00 USD
Regular price
Archival giclée
Frames arrive ready to hang
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Made to order
Description
A study by Francesco Hayez from 1827, depicting the artist among his peers with a focus on character and light.
This work by Francesco Hayez, dated 1827, captures the artist alongside his social circle in Milan. Hayez, a central figure in Italian Romanticism, presents himself at the centre of the composition, wearing spectacles and a dark coat. The surrounding figures are depicted in various states of focus, with some faces rendered in greater detail than others. This technique suggests a study or a preparatory work rather than a formal, finished portrait. The unfinished appearance of the background and the clothing of the peripheral figures allows the viewer to observe the artist's process, particularly his handling of light and shadow on the human face.
The composition is tight, with the heads of the subjects clustered together in a manner that suggests intimacy and shared intellectual pursuits. Hayez uses a muted palette, dominated by earthy tones, which directs attention to the expressions and features of the individuals. The artist's own gaze is direct, meeting the viewer with a sense of calm observation. The work provides a glimpse into the social life of the Milanese intelligentsia during the early nineteenth century, a period when Hayez was active as a painter of historical and allegorical subjects. The painting is currently held in the collection of the Pinacoteca di Brera in Milan, where it remains a record of the artist's personal associations and his technical approach to portraiture. The visible canvas texture and the sketch-like quality of the peripheral figures offer an insight into the methods employed by a master of the Italian Romantic school.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Complete The Look
Self Portrait in a Group of Friends - Francesco Hayez
Regular price
From $39.00 USD
Sale price
From $39.00 USD
Regular price
Fine Art Poster / Small Square (30x30 cm) / -
Artist Biography
Francesco Hayez
The Kiss is a political painting disguised as a love scene. Hayez painted it in 1859, the year Piedmont and France allied against Austria, and the couple's medieval costumes encode a message about Italian unification that his audience understood immediately. He painted three versions. In the 1920s, Perugina, the chocolate manufacturer, adapted the image for the box of its "Baci" chocolates, where it remains today.
Hayez was born in Venice in 1791, the youngest of five sons. His father was a fisherman of French origin; his mother came from Murano. The family was poor enough that the boy was placed with an uncle, the antiquarian Giovanni Binasco, who hoped to train him as a restorer. Instead, Hayez won a scholarship to the Accademia di San Luca in Rome in 1809, where he spent long hours studying Raphael in the Vatican Stanze and visiting the workshop of the sculptor Antonio Canova.
He settled in Milan in 1820 and became the leading figure of Italian Romanticism. His large historical paintings, depicting subjects from medieval Italian history, functioned as allegorical commentary on the Risorgimento, the movement for Italian unification. The use of historical costume allowed him to evade Austrian censorship while communicating patriotic ideas that his Milanese audience decoded without difficulty.
In 1850 he became director of the Brera Academy, a position he held for decades. He rarely signed or dated his works, and often painted the same composition multiple times with minimal variation, which has complicated scholarly assessment. He died in Milan in 1882, at ninety, having witnessed the unification he had painted.
Hayez was born in Venice in 1791, the youngest of five sons. His father was a fisherman of French origin; his mother came from Murano. The family was poor enough that the boy was placed with an uncle, the antiquarian Giovanni Binasco, who hoped to train him as a restorer. Instead, Hayez won a scholarship to the Accademia di San Luca in Rome in 1809, where he spent long hours studying Raphael in the Vatican Stanze and visiting the workshop of the sculptor Antonio Canova.
He settled in Milan in 1820 and became the leading figure of Italian Romanticism. His large historical paintings, depicting subjects from medieval Italian history, functioned as allegorical commentary on the Risorgimento, the movement for Italian unification. The use of historical costume allowed him to evade Austrian censorship while communicating patriotic ideas that his Milanese audience decoded without difficulty.
In 1850 he became director of the Brera Academy, a position he held for decades. He rarely signed or dated his works, and often painted the same composition multiple times with minimal variation, which has complicated scholarly assessment. He died in Milan in 1882, at ninety, having witnessed the unification he had painted.
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Fine Art Framed
From $119
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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