An intimate self-portrait by the Dutch artist Cornelis Pronk, rendered in graphite and grey wash on paper.

This drawing by Cornelis Pronk offers a direct encounter with the artist. Pronk, a draughtsman and painter active in the eighteenth-century Netherlands, is known for his topographical studies and portraiture. In this self-portrait, he depicts himself wearing a distinctive pointed cap, a garment that adds a casual, informal quality to the composition. The work is executed in graphite and grey wash, a technique that allows for subtle gradations of tone and a focus on the structure of the face.

The artist captures his own likeness with a steady hand, focusing on the play of light across his features. His expression is composed, with a slight turn of the head that suggests a momentary pause in his work. The curls of his hair are rendered with precision, framing the face and providing a contrast to the smooth, rounded forms of the cap. The use of wash creates depth in the shadows, particularly around the eyes and beneath the brim of the headgear, giving the portrait a three-dimensional quality despite the simplicity of the medium.

At the base of the sheet, an inscription identifies the subject as the artist himself, using the Latin phrase 'Se ipse' alongside his name and profession. This inclusion provides a clear record of the artist's identity and his role as a painter. The drawing reflects the technical skill typical of Dutch draughtsmanship during this period, where clarity of line and controlled shading were valued. It serves as a personal document, showing the artist not in a formal or staged setting, but in a more intimate, private moment. The work remains a fine example of eighteenth-century portrait drawing, demonstrating the artist's ability to convey character through minimal means.