Fine Art Poster
Iconic artworks with vivid colors using giclée fine art 12-color printing technology. Unmatched quality and durability using 200gsm smooth matte paper. Unframed; delivered flat or rolled.

Asger Jorn's 'Sérénité Aubaine' is an abstract composition characterised by swirling lines, bold colours, and dynamic brushwork, reflecting the artist's experimental approach and interest in spontaneous expression.
Asger Jorn (1914-1973) was a Danish artist known for his contributions to the CoBrA movement and his experimental approach to painting. Jorn's work often incorporates mythological and folk-art elements, reflecting his interest in Scandinavian culture and his rejection of purely rational artistic approaches. He sought to create art that was spontaneous, intuitive, and deeply connected to human emotions. Jorn was also a prolific writer and theorist, articulating his artistic philosophies in numerous essays and books. His legacy continues to influence artists interested in the intersection of art, culture, and social critique. 'Sérénité Aubaine' exemplifies Jorn's dynamic and expressive style. The painting features a composition of swirling lines and bold colours, creating a sense of movement and energy. The figures are rendered in an abstract manner, with loose brushstrokes and overlapping forms. The palette includes a range of hues, from bright yellows and reds to cooler blues and greens, contributing to the painting's overall sense of vitality. The work invites viewers to engage with its visual language and to interpret its meaning through their own experiences.

Solid wood frames, UV-protected acrylic glaze, and archival backing for lasting durability.
12-colour giclée printing on FSC-certified 200gsm fine art paper, with lifetime fade resistance.
Sustainably sourced materials, precision manufactured locally, reducing carbon footprint.
Each frame is sealed with rigid backing and fixings attached, no extra effort required.
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Danish co-founder of CoBrA and former Situationist, known for expressionist painting and his theatrical rejection of the 1964 Guggenheim Prize.
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